How different kinds of music influence appreciation of artwork: take part in the experiment
In 2024, Paul Mulholland, Naomi Barker and Paul Warren (The Open University, U.K) are continuing their experiment investigating how different kinds of music influence the appreciation of an artwork; and to what extent the same kind of sense-making processes are used when viewing artwork and when listening to music. To do this, the researchers are looking for more participants. They have now automated the process so that participants can complete the experiment online without the involvement of an experimenter.
In 2024, Paul Mulholland, Naomi Barker and Paul Warren (The Open University, U.K) are continuing their experiment investigating how different kinds of music influence the appreciation of an artwork; and to what extent the same kind of sense-making processes are used when viewing artwork and when listening to music. To do this, the researchers are looking for more participants. They have now automated the process so that participants can complete the experiment online without the involvement of an experimenter.
Learn how to take part
In the experiment, participants will be provided with one artwork to view, in conjunction with four one-minute musical extracts. No knowledge of music or art is required. This is about understanding personal responses to the art and music. From previous experience, most sessions take very close to half an hour; and participants have found the experiment to be an interesting and enjoyable experience. If you haven’t already taken part, and are able to spare half an hour, please contact Paul Warren via paul.warren [@] open.ac.uk
Recent News
Polifonia recently released results of 40 months of research and development at the intersection of musicology, semantic web technologies, AI and Music Information Retrieval. And the Polifonia Web Portal, which enhances the discoverability of European musical heritage with Linked Open Data and Knowledge Graphs, can now be explored.
Polifonia recently released results of 40 months of research and development at the intersection of…
With a strong base in academia, the Polifonia team looks forward to the conference season every year. One of the highlights is the Extended Semantic Web Conference. In this article, a brief review of our participation in this conference and update on our paper output.
With a strong base in academia, the Polifonia team looks forward to the conference season every year.…
From the beginning of the project, Podiumkunst.net and Polifonia have been in close contact and looked to each other as role models. Our stakeholder Podiumkunst.net reflects on this synergy with a positive outlook. Remco de Boer and Monique in het Veld on the importance of the collaboration and the impact.
From the beginning of the project, Podiumkunst.net and Polifonia have been in close contact and looked…
TONALITIES, IReMus’ pilot for musical heritage data project Polifonia, develops tools for the modal-tonal identification, exploration and classification of monophonic and polyphonic notated music from the Renaissance to the twentieth century. Now, the tools are available for use within the TONALITIES Interface for music analysis. Additionally, a patent was recently acquired for this collaborative interface by the IReMus lab.
TONALITIES, IReMus' pilot for musical heritage data project Polifonia, develops tools for the modal-tonal…
From April 8 to May 6 Polifonia organised their own version of the Eurovision Song Contest, the Polifonia Song Contest: musicians of all levels were challenged to create the ‘soundtrack of our history’ by using samples from the rich collections in the Polifonia project. Today we can announce the winning song.
From April 8 to May 6 Polifonia organised their own version of the Eurovision Song Contest, the Polifonia…
After four years of development work, the Polifonia project team is excited to present the results. The consortium, consisting of 10 partners from Italy, the Netherlands, France, England and Ireland launches the music discoverability platform ‘Polifonia Web Portal’. In addition, the researchers and developers have also unlocked and linked other music data, developed tools and software that will help musicologists take steps forward in their research on European musical heritage.
After four years of development work, the Polifonia project team is excited to present the results.…
The Polifonia project formally ended on April 30, which means that the tools and software developed within this 4-year-project are released and ready for use. Today we look at ‘Patterns UI’.
The Polifonia project formally ended on April 30, which means that the tools and software developed…
Polifonia Song Contest is two weeks in, and will continue for another two weeks. Have you downloaded the sample pack yet?
With two weeks to go until the deadline, the "Polifonia Song Contest" beckons all musicians who find…
Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the majestic resonance of pipe organ concerts, and the timeless chimes echoing from century-old Italian bell towers? Then ‘Polifonia Song Contest’ is your challenge!
Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the…
The consortium is preparing for the last face-to-face consortium meeting of the Polifonia project in April 2024.
The consortium is preparing for the last face-to-face consortium meeting of the Polifonia project in…
This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement N. 101004746