Polifonia Song Contest: create the 'Soundtrack of Our History' and win €500

Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the majestic resonance of pipe organ concerts, and the timeless chimes echoing from century-old Italian bell towers? Then ‘Polifonia Song Contest’ is your challenge!

8 April 2024

Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the majestic resonance of pipe organ concerts, and the timeless chimes echoing from century-old Italian bell towers? Then ‘Polifonia Song Contest’ is your challenge!

While Europe is currently captivated by the Eurovision Song Contest, we challenge you to go one step further and actively engage with our shared European musical heritage. In collaboration with RE:VIVE – a Dutch project supporting the reuse of audiovisual heritage in new musical contexts – the musical heritage project Polifonia presents a Sample+MIDI pack to encourage you to create the ultimate ‘soundtrack of our history’. 

Starting April 8 and closing on May 6, we challenge you to create a track between 2.5 and 5 minutes that contains 2 or more of these sample/MIDI files. A jury with a professional as well as amateur background in music will judge the songs before May 11.

Are you ready to hit that “douze point” and win €500? Then download the sample pack now from the RE:VIVE website and submit your track here before May 6. 

Sample Pack

Submit your song

Rules, terms & conditions (please read before entering the contest)

More information

Background story sample pack
This curated set of samples offers a diverse exploration of traditional music from various European backgrounds. It includes 30 MIDI files featuring traditional Irish folk tunes from the Ceol Rince na hÉireann collection collected by Breandán Breathnach, reflecting the vibrant dance rhythms and instrumental richness of Irish culture. Additionally, the pack offers 33 recordings of traditional bells from churches in Italy’s Liguria region, showcasing the enduring craftsmanship and resonance of bell casting. Lastly, the selection includes 14 samples of pipe organ performances from the Muziekopnamen Zendgemachtigden (MOZ) collection, capturing classical music concerts broadcasted on Dutch public TV and Radio stations from the 1950s, highlighting the enduring prominence of the organ in classical repertoire.

Jury
The contest follows the Eurovision jury-only voting system: the song that manages to receive the most 12 points has a chance to win. The jury panel consists of:

  • Valentina Presutti computer scientist & coordinator Polifonia
  • Antònia Folguera digital arts and culture festival curator (Sónar, Eufònic) & Polifonia advisory board member
  • Gregory Markus founder RE:VIVE, studio manager & musician
  • James McDermott music technology researcher (e.g.Polifonia) & musician (piano, guitar, vocals, songwriting)
  • Emily Peppers musicologist & musician (classical, rock, folk, electric violin)
  • Rosario Arquero-Avilés university teacher, researcher (.e.g IDEA Lab research group) & musician (flute)
  • Rodolfo Delmonte computational linguistic expert & musician (guitar)
  • Daniel Antal music data scientist
  • Miles Niemeijer historian & music advisor at Podiumkunst.net/Nederlands Jazz Archief 
  • Roosmarijn de Groot open data specialist & musician (guitar & ukulele)
  • Vasiliki Sirakouli music anthropologist
  • Wytze Koppelman curator culture & entertainment

Polifonia
Polifonia is a project funded by the EU’s Horizon 2020 program, running from January 2021 to April 2024, to recreate the connections between music, people, places and events from the sixteenth century to the present. This data will be available to everyone as an interconnected database on the Web – a knowledge graph – and will enhance our understanding of Europe’s musical heritage. In addition, using AI and music information retrieval (MIR) techniques, the pilots are also building tools for professionals to help analyze large sets of music data.

RE:VIVE
RE:VIVE is a long-standing initiative from the Netherlands Institute for Sound & Vision, the national media archive of The Netherlands focused on the reuse of audiovisual heritage in new musical contexts. Started in 2015, RE:VIVE has facilitated countless projects on sound design and sound sculpting, transforming archival sounds into new compositions. Artists can do this by using the RE:VIVE Sample Packs of sounds curated from different archives around the world who make their sounds and collections open as public domain or different Creative Commons licenses.

Recent News

Polifonia Song Contest is two weeks in, and will continue for another two weeks. Have you downloaded the sample pack yet?

With two weeks to go until the deadline, the "Polifonia Song Contest" beckons all musicians who find…

22 April 2024

Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the majestic resonance of pipe organ concerts, and the timeless chimes echoing from century-old Italian bell towers? Then ‘Polifonia Song Contest’ is your challenge!

Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the…

8 April 2024

The consortium is preparing for the last face-to-face consortium meeting of the Polifonia project in April 2024.

The consortium is preparing for the last face-to-face consortium meeting of the Polifonia project in…

4 April 2024

Polifonia is known for its strong links with academia and is pleased to present some highlights in its involvement in research and associated conferences.

Polifonia is known for its strong links with academia and is pleased to present some highlights in its…

29 February 2024

In 2024, Paul Mulholland, Naomi Barker and Paul Warren (The Open University, U.K) are continuing their experiment investigating how different kinds of music influence the appreciation of an artwork; and to what extent the same kind of sense-making processes are used when viewing artwork and when listening to music. To do this, the researchers are looking for more participants. They have now automated the process so that participants can complete the experiment online without the involvement of an experimenter.

Music instrument with music notes on white background illustration In 2024, Paul Mulholland, Naomi…

17 January 2024

During the last project meeting, the Polifonia consortium extensively discussed how to foster the impact of the project in academia and beyond. How to make the output of Polifonia sustainable after the lifetime of the project is one important aspect. But fostering re-usability does not end by long-term preservation of certain assets (such as data and tools). In Polifonia Research Ecosystem – Impact of a project. A webinar on Data re-use and workflows, we will discuss how we ensure that more fluid assets such as interfaces, but also experiences in setting up and executing workflows via those interfaces, become reproducible and reuseable.

During the last project meeting, the Polifonia consortium extensively discussed how to foster the impact…

15 January 2024

For the Polifonia project, the Central Institute for Cataloging and Documentation (ICCD) of the Italian Ministry of Culture is carrying out activities on the historical bell heritage. The ICCD has also initiated a process of documentation of the practices and knowledge associated with bell production through collaboration with historical Italian foundries.

The bell casting process performed by the Pontifical Marinelli Foundry. Photo courtesy of ICC For…

9 January 2024

One of the tools Polifonia will release is MELODY. It stands for ‘Make mE a Linked Open Data StorY’ and is a place where you can make sense of Linked Open Data and publish text-based as well as visual data stories. Earlier this year, students of the University of Bologna explored data through this tool. Let’s see what they have found and learned about… rock music.

One of the tools Polifonia will release is MELODY. It stands for 'Make mE a Linked Open Data StorY'…

13 December 2023

Music libraries currently lack well-founded information retrieval tools. While it is relatively easy to find music based on metadata, content-based music retrieval still remains as a challenge. The Polifonia FACETS pilot aims to tackle this challenge by building a faceted search engine (FSE) for large collections of music documents.

Music libraries currently lack well-founded information retrieval tools. While it is relatively easy…

24 November 2023

This is a week of major importance to the Polifonia team, as its researchers join both the conference of the International Society for Music Information Retrieval (ISMIR) and the conference for the International Semantic Web and Linked Data Community (ISWC): venues of significant importance for both research and industry. Read more about Polifonia’s contributions below.

This is a week of major importance to the Polifonia team, as its researchers join the conference of…

7 November 2023

This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement N. 101004746