News from polifonia

With a strong base in academia, the Polifonia team looks forward to the conference season every year. One of the highlights is the Extended Semantic Web Conference. In this article, a brief review of our participation in this conference and update on our paper output.

From the beginning of the project, Podiumkunst.net and Polifonia have been in close contact and looked to each other as role models. Our stakeholder Podiumkunst.net reflects on this synergy with a positive outlook. Remco de Boer and Monique in het Veld on the importance of the collaboration and the impact. 

TONALITIES, IReMus’ pilot for musical heritage data project Polifonia, develops tools for the modal-tonal identification, exploration and classification of monophonic and polyphonic notated music from the Renaissance to the twentieth century. Now, the tools are available for use within the TONALITIES Interface for music analysis. Additionally, a patent was recently acquired for this collaborative interface by the IReMus lab.

From April 8 to May 6 Polifonia organised their own version of the Eurovision Song Contest, the Polifonia Song Contest: musicians of all levels were challenged to create the ‘soundtrack of our history’ by using samples from the rich collections in the Polifonia project. Today we can announce the winning song.

The Polifonia project formally ended on April 30, which means that the tools and software developed within this 4-year-project are released and ready for use. Today we look at ‘Patterns UI’.