Video: an introduction to Work Package 2

Work package 2 develops ontology-based knowledge graphs for representing music collections (symbolic notation/scores, code-based musical assets, annotated audio/transcriptions, metadata) and its historical, cultural, and social context. Watch work package leader Albert Meroño Peñuela explain the role of WP2 within Polifonia in our newest YouTube video.

17 October 2022

Work package 2 develops ontology-based knowledge graphs for representing music collections (symbolic notation/scores, code-based musical assets, annotated audio/transcriptions, metadata) and its historical, cultural, and social context. Watch work package leader Albert Meroño Peñuela explain the role of WP2 within Polifonia in our newest YouTube video.

About knowledge graphs
Knowledge graphs are graph-driven representations of real-world entities along with their semantic attributes and their relationships. Data structured in a graph, rather than a table or text, can help users get better responses to their queries, retrieve context around a specific object and even discover new connections between objects. Knowledge Graphs let you create new links (relations) between items (entities) without worrying about creating specific columns, tables and texts to hold that information. Heritage institutions are now increasingly using this way to present their complex collections. 

https://youtu.be/LiZQH75gRo0

Recent News

TONALITIES, IReMus’ pilot for musical heritage data project Polifonia, develops tools for the modal-tonal identification, exploration and classification of monophonic and polyphonic notated music from the Renaissance to the twentieth century. Now, the tools are available for use within the TONALITIES Interface for music analysis. Additionally, a patent was recently acquired for this collaborative interface by the IReMus lab.

TONALITIES, IReMus' pilot for musical heritage data project Polifonia, develops tools for the modal-tonal…

29 May 2024

From April 8 to May 6 Polifonia organised their own version of the Eurovision Song Contest, the Polifonia Song Contest: musicians of all levels were challenged to create the ‘soundtrack of our history’ by using samples from the rich collections in the Polifonia project. Today we can announce the winning song.

From April 8 to May 6 Polifonia organised their own version of the Eurovision Song Contest, the Polifonia…

13 May 2024

After four years of development work, the Polifonia project team is excited to present the results. The consortium, consisting of 10 partners from Italy, the Netherlands, France, England and Ireland launches the music discoverability platform ‘Polifonia Web Portal’. In addition, the researchers and developers have also unlocked and linked other music data, developed tools and software that will help musicologists take steps forward in their research on European musical heritage.

After four years of development work, the Polifonia project team is excited to present the results.…

8 May 2024

The Polifonia project formally ended on April 30, which means that the tools and software developed within this 4-year-project are released and ready for use. Today we look at ‘Patterns UI’.

The Polifonia project formally ended on April 30, which means that the tools and software developed…

3 May 2024

Polifonia Song Contest is two weeks in, and will continue for another two weeks. Have you downloaded the sample pack yet?

With two weeks to go until the deadline, the "Polifonia Song Contest" beckons all musicians who find…

22 April 2024

Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the majestic resonance of pipe organ concerts, and the timeless chimes echoing from century-old Italian bell towers? Then ‘Polifonia Song Contest’ is your challenge!

Are you the type of musician that is inspired by old sounds, such as cheerful Irish folk melodies, the…

8 April 2024

The consortium is preparing for the last face-to-face consortium meeting of the Polifonia project in April 2024.

The consortium is preparing for the last face-to-face consortium meeting of the Polifonia project in…

4 April 2024

Polifonia is known for its strong links with academia and is pleased to present some highlights in its involvement in research and associated conferences.

Polifonia is known for its strong links with academia and is pleased to present some highlights in its…

29 February 2024

In 2024, Paul Mulholland, Naomi Barker and Paul Warren (The Open University, U.K) are continuing their experiment investigating how different kinds of music influence the appreciation of an artwork; and to what extent the same kind of sense-making processes are used when viewing artwork and when listening to music. To do this, the researchers are looking for more participants. They have now automated the process so that participants can complete the experiment online without the involvement of an experimenter.

Music instrument with music notes on white background illustration In 2024, Paul Mulholland, Naomi…

17 January 2024

During the last project meeting, the Polifonia consortium extensively discussed how to foster the impact of the project in academia and beyond. How to make the output of Polifonia sustainable after the lifetime of the project is one important aspect. But fostering re-usability does not end by long-term preservation of certain assets (such as data and tools). In Polifonia Research Ecosystem – Impact of a project. A webinar on Data re-use and workflows, we will discuss how we ensure that more fluid assets such as interfaces, but also experiences in setting up and executing workflows via those interfaces, become reproducible and reuseable.

During the last project meeting, the Polifonia consortium extensively discussed how to foster the impact…

15 January 2024

This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement N. 101004746