Partner profile: The Music Computing Lab at OU and the ACCESS Pilot

Dr. Simon Holland founder and director of the Music Computing Lab at Open University introduces their fascinating work and the ACCESS Pilot

Photo by Stéphane Bernard on Unsplash
28 April 2021

The Music Computing Lab at The Open University is a research lab focused on empowering musicians, illuminating musical activities, and modelling music perception and cognition. Our research draws on musicology, neuropsychology, ethnography, pervasive technology, wearables, haptics and machine learning. Our work is innovation-driven. For example, we have recently developed tools to foster creativity in expert drummers, a new graphical music programming language for non-musicians and new forms of nonlinear expressive interaction for digital musicians, among many other interesting projects. Since 2010, the lab has attracted external research funding totalling around £4.5 million, supervised seventeen PhD students to completion, hosted around twenty research interns, and published over 160 refereed articles. 

Our research on wearable haptics and music has led to exciting collaborations with the major theatre and music events such as Stables Theatre and the Milton Keynes International Festival. We teamed up to find new ways to promote the inclusion of people with physical, learning and sensory disabilities, such as profound deafness, both as audiences and performers. Since 2014, our lab has started investigating medical applications of our research. In this framework, our haptic wearables that were designed for coordinating the limb movement of drummers became key tools for improving the mobility of people with stroke, Parkinson’s, cerebral palsy and Huntington’s disease. In Polifonia, we are bringing our expertise and experience to the #ACCESS pilot. In this use-case, we co-design, develop and evaluate wearable haptic technology to enable people who are Deaf or hearing impaired to engage as audience members in live performances.

Photo by Stéphane Bernard on Unsplash

Recent News

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4 April 2024

Polifonia is known for its strong links with academia and is pleased to present some highlights in its involvement in research and associated conferences.

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29 February 2024

In 2024, Paul Mulholland, Naomi Barker and Paul Warren (The Open University, U.K) are continuing their experiment investigating how different kinds of music influence the appreciation of an artwork; and to what extent the same kind of sense-making processes are used when viewing artwork and when listening to music. To do this, the researchers are looking for more participants. They have now automated the process so that participants can complete the experiment online without the involvement of an experimenter.

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17 January 2024

During the last project meeting, the Polifonia consortium extensively discussed how to foster the impact of the project in academia and beyond. How to make the output of Polifonia sustainable after the lifetime of the project is one important aspect. But fostering re-usability does not end by long-term preservation of certain assets (such as data and tools). In Polifonia Research Ecosystem – Impact of a project. A webinar on Data re-use and workflows, we will discuss how we ensure that more fluid assets such as interfaces, but also experiences in setting up and executing workflows via those interfaces, become reproducible and reuseable.

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15 January 2024

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9 January 2024

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13 December 2023

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24 November 2023

This is a week of major importance to the Polifonia team, as its researchers join both the conference of the International Society for Music Information Retrieval (ISMIR) and the conference for the International Semantic Web and Linked Data Community (ISWC): venues of significant importance for both research and industry. Read more about Polifonia’s contributions below.

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This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement N. 101004746